I am a reliable, frank, very smart and artistic writer. I have four years of experience in producing and reporting issue-oriented stories for KFAI Fresh Air Radio in Minneapolis.
I believe that, no matter one’s profession, a breadth of high quality communication skills is vital. I excel at writing and public speaking. As a communicator I emphasize concise, cogent and compelling messages.
I excel at independent and critical thinking, and solving problems.
My most important soft skills, I: 1. listen more often than talk 2. am decisive 3. follow through. Those who follow through more consistently on their words earn my loyalty and friendship quicker than others 4. bring a “can-do” and cooperative attitude 5. work from a discipline of preparedness
As a reporter, my favorite stories often lay at the crossroads of progressive politics, the media arts and questions of race.
I’m drawn to produce stories that make people uneasy, but do it so that they want to stay tuned.
PRISM: student group for communication students of color and their allies. Served as president during spring 2008 to put the group back on a productive course.
–I propose, produce and serve as host for provocative events. I served as a co-host for this author event: “Kiratiana’s Guide to Black Paris.”
–I proposed the post-screening panel discussion of “Intouchables,” and secured one of three panelists for it. It took place during the Mpls/St. Paul International Film Festival.
–A member said, “The discussion was very good! Lots of great insights. It’s great that you can organize these events and partner with other organizations!”
I research, report and produce local, perennial features about Minnesota’s artistic, cultural and historical heritage. One of these took a look at an exhibit of dubious medical devices. Another considered a book discussion group for black men, Black Men Read-In. A different one reported on the state’s Francophone heritage.
Delivers smart, well-reported feature stories. Sometimes writes critiques and reviews of independent, foreign, and documentary feature films, with a PBS type reader in-mind.
I learned to consider, even ponder, the constitutional contexts that apply to a story.
Earned this scholarship as the best representative of Mr. Kashiwahara’s journalistic ideals.
Filed stories including one on the dedication of Gordon Parks High School, personalizing the story through the hardships of a graduating senior. Her experience typified chances given to at-risk students. Another story shed light on non-Muslims reflecting on their participation in Ramadan fasting. Still another debunked myths about the differences between the lives of the blind and those of sighted.
Eight Forty-Eight program: Produced many hard feature segments, several from my story pitches. In the process of producing taped segments, learned how to do basic engineering and studio production. Produced two host-reporter pieces. Was a key producer for an off-site round table segment. Edited several segments for air.
Managed the production and editorial aspects of teaching teens to make public radio stories.
Researched and designed a pilot project, with University of Minnesota journalism professor, Catherine R. Squires, that would introduce at-risk high school students to public radio storytelling.
Researched methods and best ways to train high school students to report and produce basic public radio stories. Designed lessons plans and field manuals for production software and hardware. We also wanted to motivate them to pursue careers in journalism or mass communications at the University of Minnesota.
Had a fantastic opportunity to learn from nationally known journalists, and to make influential career contacts.
Researched potential story topics and vetted story ideas. Pitched stories, pre-interviewed guests and ran scripts. Booked guests and studio time. Co-wrote segment scripts. Co-wrote both basic and longer feature website summaries for stories and performance chats. One of them was showcased in premiere of NPR’s new music website. Edited several conversations for air.
• Brought conversations from pitch, through pre-interview, booking and script writing to studio including one about filmmaker Charles Burnett.
• Reported a story about African-American Republicans for a one-hour radio show, Intern Edition.
• Photographed homeless veterans for a brief first person story serial on Veterans’ Day.
2010 Collegiate fellow, Peter Jennings Project for Journalists and the Constitution 2009-2010 RTDNA Ken Kashiwahara scholarship 2009 Twin Cities Black Journalists scholarship 2009 Minnesota SPJ scholarship 2008 William O. & Natalie Krauch Lund Scholarship 2008 Asian American Journalists Association Twin Cities travel grant Fall 2008 Third Coast International Audio Festival minority scholar
Journalist and writer. My favorite stories often lay at the crossroads of progressive politics, the media arts and questions of race.
Society of Professional Journalists, National Association of Black Journalists, PRISM: the multicultural journalism student association at the University of Minnesota’s School of Journalism and Mass Communications.
On Nov. 10, Mizna, a Minneapolis-based non-profit organization that promotes Arab-American arts and culture, hosted a panel discussion about art in revolution in the wake of the Arab Spring and as a part of its seventh Twin Cities Arab Film Festival. The discussion was held in Anderson Hall on the University of Minnesota’s West Bank. On the panel were five scholars and artist activists who exchanged their divergent points of view on the politics of art. That’s merely the beginning.